IVRY SERRES ARCHITECTURE
& BEAUDOUIN ARCHITECTES
Charles Nègre media library
INTERNATIONAL ARCHITECTURE & DESIGN AWARDS 2022
Cultural Architecture Built
Studio: IVRY SERRES ARCHITECTURE & BEAUDOUIN ARCHITECTES
Architect / Designer: Ivry Serres, Emmanuelle Beaudouin, Laurent Beaudouin
Project management team:
Ivry Serres Architecture & Beaudouin Architectes
Ivry Serres Architecture (Ivry Serres, Benjamin Vassia, Hugo Marquet)
Beaudouin Architectes (Emmanuelle Beaudouin, Laurent Beaudouin, Farida Aroun, Aurélie Husson, Noémie Gaineau, Christophe Thierry, Charles Signe)
C&E Ingénierie – BET structure
INEX – Fluid BET
TOUZANNE AND ASSOCIATES – Economist
A.C.V. – Acoustician
City of Grasse – Client
APAVE – Control office
OPC – BTP CONSULT
SPS – Bureau VERITAS
SSI – Namixis & SSICoor – Groupe Systéa
Copyright: Simone BOSSI – HIGO – Beaudouin Architectes – Ivry Serres Architecture
The city of Grasse in the south of France is particularly touching because of its urban characteristics: narrow streets, freshness, colours, relationship to the sky, vaulted passages, steep slopes…
The new Charles Nègre media library is based on an architectural approach that is very attentive to the context and fits in well with the town’s heritage. It gives the site a charming atmosphere but also provokes feelings of pleasant surprise and emotion. The media library is inspired by the unique character of the urban structure and plays with the tensions and proximities between the buildings. The project also takes up the subtle material relationships between the public buildings and the urban fabric and uses, with a modern vision, some of the traditional language and materials. As a counterpoint to this density, the building offers visual and scenic openings to the neighbourhood and to the distance. The building thus becomes a place from which to contemplate the city. A tower/ belvedere on the street allows a direct view towards the house of the great Grasse artist Charles Nègre (1820-1880), while the terrace on the top level highlights a frontal view of the sea and another framing leads towards the tower of the Cathedral Notre Dame du Puy.
The media library is truly designed as a space that is permeable to light, while preserving the interior coolness. Its architecture is designed to filter the sun during the day and restore a lace of light in the evening. The dual appearance during the day and at night is one of the major qualities of the site. This luminous presence will be gentle, discreet and without excessive glare.
The greatest attention is paid to the quality of the lighting inside. The reading areas receive subdued daylight, softened by the fluted white concrete columns that surround the building. These columns protect the recessed glass façade from direct sunlight. The sunlight also penetrates directly into the interior through a skylight that crosses the two levels of reading rooms to illuminate the reception area. This solution becomes reversible in the evening so that the building gently illuminates the public space like a lantern. The building is a light sponge during the day and becomes an urban photophore in the evening.
The project responds to the paradox of being both visible through the strength and quality of its presence, and discreet in its volumes and materials. The activities of the media library are revealed without being totally displayed to the public. It is an urban project as a large covered public space that improves pedestrian relations within the neighbourhood. The media library, located in the heart of the city centre, is not conceived as an isolated monument: it is intended to be a real catalyst for a cultural life on the scale of the entire city.
Here, more than an integration, the project proposes a poetic of the situation.